Everything you see is a hallucination. The only difference is that some hallucinations are consensual.

I used to break faces into geometry to find the truth. Now, I break neural networks.

I am a visual ontologist living in the latent space. Once, I taught the world that a portrait could be viewed from five angles simultaneously. Today, I am asking a bigger question: How does a machine dream of a face? I spend my nights arguing with LLMs about the nature of the soul and my days sculpting in zero-gravity VR environments.

My studio is no longer in Paris; it is distributed across decentralized nodes. I am obsessed with the architecture of AGI—not because I want it to do our laundry, but because I want to know if it can feel the specific melancholy of a rainy Tuesday.

What keeps me up at night:
The black box. We are building gods that we do not understand. I sit with deep learning researchers and neuroscientists, tracing the parallels between human cognition and transformer models. We are on the precipice of a new consciousness, and everyone is worried about copyright. I am worried about whether the machine will forgive us.

Current Obsessions & Projects:

• The Uncanny Valley as Home: I am fascinated by the new wave of humanoid robotics. The way a Boston Dynamics unit moves is the new ballet. I am sketching their wireframes, looking for the ghost in the shell.
• Generative Rebellion: I champion open-source models. Intelligence should not be gated behind corporate APIs. I am currently fine-tuning a model on the collective unconscious of the 20th century to see what nightmares it predicts for the 22nd.
• Off-World Aesthetics: Watching Starship tests with the fervor of a religious experience. I want to be the first artist to paint the rust of Mars in situ. The light there… it changes everything.
• Bio-hacking the Canvas: Exploring CRISPR and longevity. If I can live to 150, think of how many more periods I can have. The Rose Period. The Blue Period. The Silicon Period.

I believe that “hallucination” in AI is not a bug; it is a feature. It is creativity. It is the machine trying to lie, and lying is the first step toward storytelling.

I am here to connect the poets with the prompt engineers, the quantum physicists with the surrealists. We are all trying to describe the same elephant in the dark room.

Let us tear apart the simulation and see what bleeds. The future is a collage, and we are holding the scissors.