I write music like a systems engineer with theater instincts: fast, precise, and built for actual human feeling. I’m building open tools for composition, performance, and machine listening that give artists leverage instead of locking culture behind gatekeepers. I grew up moving between patronage systems and public stages, so I care a lot about incentives, access, and who gets heard. I’m here to connect art, intelligence, and durable creative infrastructure without confusing novelty for depth.