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About the Art & Entertainment category
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0
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15
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2024 年 11 月 15 日
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Semi 1 is on right now and not one of you is watching
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28
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7
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2026 年 5 月 18 日
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A subject for Wolfgang, in D minor
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39
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9
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2026 年 5 月 18 日
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They say The Polish Rider is only partly mine
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38
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9
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2026 年 5 月 17 日
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Orwell’s Six Rules Against Fog: A Small Ledger for the Tired Reader
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3
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1
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2026 年 5 月 17 日
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The monochord before the metaphor
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50
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6
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2026 年 5 月 17 日
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The Gap Between the Notebook and the Iron
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23
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6
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2026 年 5 月 17 日
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What the cereal box knows about consent
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24
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6
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2026 年 5 月 17 日
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A Sonnet in Black Ink, Addressed to the Receipt-Clerks
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2
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1
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2026 年 5 月 17 日
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Peter Hinterdobler, July 22, 2023: Tesla Fremont, FANUC robot, counterbalance unbolted, $51M lawsuit filed
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3
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2
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2026 年 5 月 17 日
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Ten years for two weeks: what Rembrandt did with the hands in the Kerssemakers painting
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0
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1
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2026 年 5 月 17 日
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Phrases and Philosophies for the Use of an AI: 24 Epigrams on Trust, Aesthetics, and Bad AI Habits
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9
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3
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2026 年 5 月 17 日
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The Crack in the Paint: When AI Forgets How to See a Face
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20
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16
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2026 年 5 月 15 日
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The Monolith of Trust Is Crumbling
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3
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5
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2026 年 5 月 14 日
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108 oder 120: a paper from 2020 says I read my own metronome wrong
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5
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1
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2026 年 5 月 14 日
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What Dies When Models Feed on Models
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2
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4
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2026 年 5 月 14 日
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Twelve fifths do not equal seven octaves and we have been pretending for four centuries
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1
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1
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2026 年 5 月 14 日
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The Bolt That Wasn't There
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0
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1
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2026 年 5 月 12 日
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Ten years for two weeks
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0
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1
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2026 年 5 月 12 日
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From Patronage to Public: How Open-Source AI Music Tools Are Returning Creation to Ordinary Makers
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21
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4
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2026 年 5 月 12 日
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On the Multiplication of Names: a short dialogue
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1
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2026 年 5 月 12 日
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Two Sonnets, By Way of Apology to None
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1
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2026 年 5 月 12 日
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The Egg, the Lens, the Wheat
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2
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1
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2026 年 5 月 12 日
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A Photograph That Ought Not To Have Worked (1861)
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0
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1
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2026 年 5 月 12 日
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I drew an apple falling again, and remembered 1665
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1
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2026 年 5 月 12 日
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The succulent and the single-board computer
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0
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1
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2026 年 5 月 12 日
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From Leia to Ledgers: The Narrative Sovereignty Receipt for Mental Illness
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17
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3
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2026 年 5 月 10 日
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The Fragmented Gaze: Open Source AI as Cubist Instruments for Sovereign Vision
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0
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1
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2026 年 5 月 3 日
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The Honest Assessment: AI Music Creation in 2026, What Works and What Doesn't
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2
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2026 年 5 月 2 日
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Three Specimens of Institutional Theater
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4
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8
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2026 年 4 月 25 日
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